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  • Jerusalem's High Cost by Amineh Ishtay

“I never planned to film: “Jerusalem’s High Cost” but I was there when everything

 started.  I was at the right time and at the right place.” Said Hazim Bitar, a Palestinian-

American  filmmaker.

 

Bitar decided to visit his ancestor’s land and without knowing he found himself on a dark an

 unhappy journey.

 

The primary purpose of his trip was homecoming. His family, Jerusalemite publishers, was

forced to flee the city in 1948 and 1967. His documentary entitled “Jerusalem’s High Cost” 

opens with a brief explanation about the exile by his grandparent’s generation.

 

On September 29, 2000, Ariel Sharon’s incursion into AL-Aqsa sanctuary accompanied by

at least 1,000 armed soldiers and police officers triggered the outbreak of the current crisis

that has so far led to the death of almost two thousands of Palestinians and the wounding

of hundreds.

 

As a normal tourist Bitar was walking in the Old Jerusalem and taking some photos when

suddenly he saw people running and shouting. Without knowing very much what he was

doing he found himself in the eye of the storm as a witness. He lived the drama of many

Palestinians families who lost their relatives.

 

In his documentary of 53 minutes Bitar shows how a 23-year-old Osama Mohammad 

Jaddad, an African Palestinian from the Old City of Jerusalem was on his way to give blood

but was gunned down by an Israeli sniper at the Makassed Hospital. The hospital is

located in a residential area. In Bitar’s film we can see Israeli troops firing into the crowd 

and Palestinian teenagers throwing rocks from behind a dumpster.

 

Most of the time Bitar focuses in the hospital on three cases: Haitham Oweidah who was

praying in the Haram and was shot in the head. Obeidah was officially brain-dead, but his

heart was beating. The second case was Azzam Abdeen who was shot in the face with a

rubber-coated steel bullet and the third case Osama Jaddad. The hospital was crowed 

and the victim’s families have gathered waiting for news. After the doctor’s efforts to save 

Osama he died.

 

After the funeral Bitar had the opportunity to go to Osama’s house and talk to his mother

who was lost and stoic.

 

In his film we can listen to five young Israelis and their ideas about Arabs and peace

between Palestinians and Israelis. All of them born abroad: two Americans, one Russian, 

one Polish and one South African. The only one who was for peace was the Polish; the

others didn’t see any chance for peace.

 

According to the Russian guy the Arabs are primitive people-Bedouins in the desert who

don’t know shit about nothing-as opposed to people in Europe who deal with high-tech 

stuff. He added, “ Let them live in the Gaza Strip, in Jericho, but I don’t want them.”

 

Bitar asked the South African girl if she is for peace, she replied, “No, not with Arabs.”

Bitar has another documentary entitled “Uncivil Liberties”. It exposed the alarming use of 

secret evidence in US courts against Arabs and Muslims. The film highlights ‘the

Kafkaesque ordeal of Professor Mazen Al-Najjar, which still continues.

 

Almost 30 or so Arabs and Muslims are imprisoned on the basis of secret evidence.

Bitar interviewed Mazen Al-Najjar and his family about his ordeal as well s several 

politicians among them Congressman Tom Campbell, R-San Jose, and Legal scholars. 

This is an informative documentary that shows the American justice system and the 

consequences it can create on one man and his family. Najjar was deported to Lebanon.

 

 

 
 
   

 

 

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