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Remi Kanazi (born 1981) is a Palestinian-American performance poet and human rights activist based in New York. 
He is the editor of the anthology of hip hop, poetry and art, Poets for Palestine (2008), and the author of the collection of poetry, Poetic Injustice: Writings on Resistance and Palestine (2011). He has toured hundreds of venues across the US, Canada, Europe and the Middle East.

Kanazi’s father, a physician, fled from Haifa, Palestine with his family at a young age before the establishment of the State of Israel in 1948. His maternal grandmother was seven months pregnant with Kanazi’s mother when she was forced out of her home in Jaffa, Palestine. Although his family was deeply affected by Palestinian dispossession, Kanazi felt almost entirely disconnected from his Palestinian heritage but he never forgot the stories he heard from his family. Years later, all these stories were the inspiration for his work.

Kanazi writes and performs political poetry addressing topics such as human rights, Palestine, Iraq, and islamophobia. He talks in his work about a system of oppression and what´s being done to a people.

He  is the editor of Poets for Palestine (Al Jisser Group, August 2008), a collection of hip hop, poetry and art featuring Palestinian poets such as Suheir Hammad, Nathalie Handal, Fady Joudah, Annemarie Jacir, Mahmoud Darwish, Naomi Shihab and Kanazi himself, as well as African American poets Patricia Smith and Amiri Baraka.

In 2011, Kanazi came out with his first collection, Poetic Injustice: Writings on Resistance and Palestine, a volume of poetry including a CD; he has also been a writer in residence and an advisory board member for the Palestine Writing Workshop, teaching spoken word poetry to youngsters in Palestine.

A Poem for Gaza

I never knew death

until I saw the bombing

of a refugee camp

craters

filled with

dismembered legs

and splattered   torsos

but no sign of a face

the only impression

a fading scream

 

I never understood pain

until a seven-year-old gir

lclutched my hand

stared up at mewith soft brown eyes

waiting for answers

 

I didn’t have any

I had muted breath

and dry pens in my back pocket

that couldn’t fill pages

of understanding or resolution

 

in her other hand

she held a key

to her grandmother’s house

but I couldn’t unlock the cell

that caged her older brothers

they said:we slingshot dreams

so the other side

will feel our father’s presence!

 

a craftsman

built homes

in areaswhere no one was building

 

when he fell

silence

 

a .50 caliber bullet

tore through his neck

shredding his vocal cords

too close to the wallhis hammer

must have been a weapon

he must have been a weapon

encroaching on settlement hill

sand demographics

 

so his daughter

studies mathematics

 

seven explosions

times

eight bodies

equals

four congressional resolutions

 

seven Apache helicopters

times

eight Palestinian villages

equals

silence and a second Nakba

 

our birthrate

minus

their birthrate

equals

one sea and 400 villages re-erected

 

one state

plus

two peoples

…and she can’t stop crying

 

never knew revolution

or the proper equation

tears at the paper

with her fingertip

ssearching for answers

but only has teachers

looks up to the sky

to see Stars of David

demolishing squalor

with Hellfire missiles

 

she thinks back

words and memories

of his last hug

before he turned and fell

now she pumps

dirty water from wells

while settlements

divide and conquer

and her father’s killer

sits beachfront

with European vernacular

 

this is our land!, she said

she’s seven years old

this is our land!

she doesn’t need history books

or a schoolroom teacher

she has these walls

this skyher refugee camp

 

she doesn’t know the proper equation

but she sees my dry pens

no longer waiting for my answers

just holding her grandmother’s key

searching

for ink

 

Video

Normalize This!

 

 

Further Reading:

Interview: Remi Kanazi on BDS and ‘hurt feelings’

 

Source:

http://www.poeticinjustice.net/

http://www.all4palestine.com

 

 

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